An Anti-Marxist Revolution in Brazil?
The fading of a delusion.
(/sites/default/files/uploads/2015/03/bazil-anti-marxist.jpg)In recent weeks and months, we have been flooded with news about the Syriza “miracle,” about how the Greek leftists will manage to pull the country out of the state of decay in which it languishes. The Greek Finance Minister was placed high on all pedestals of European and universal glory, as if he were John Maynard Keynes and Hegel himself combined into one. Propagandistic nonsense has reached its utmost peak. Too little or even nothing at all is said, however, about how the house of cards built by revolutionary Dilma Rousseff – a former combatant in the urban guerrilla organizations – is coming down. Mature and responsible, the country’s civil society is not the prisoner of leftist myths. It refuses to go on a wild goose chase, as it happens in so many other places.
Millions of people are out demonstrating, asking for president Dilma Rousseff’s resignation. The endemic corruption of the leftist regime is being denounced by the masses that have taken to the streets, but largely ignored by the media elites, which are connected to those neo-Bolshevik channels financially supported by the Putin autocracy and its friends. The Sao Paulo Forum with its radical exhortations continues its maneuvers of hypnotizing the public opinion. Lies abound, but are starting to not be believed anymore. Protesters are being slandered as “American agents”, “spies”, “fascists” etc. Yet, less people than ever buy into these slanders.
The protests are being organized by a grassroots initiative with an openly liberal (non-leftist) orientation – the Free Brazil Movement (MBL). Signatures are being gathered for Dilma Rousseff’s dismissal. It turns out that philosopher Olavo de Carvalho’s anti-totalitarian ideas have taken root in Brazil. Olavo, a remarkable social thinker execrated by the Left, knows a great deal about Marxism and revolutionary utopianism in general, at any rate a far greater deal than Dilma and her followers. He is familiar with the famous 11th thesis on Feuerbach: “Philosophers have only interpreted the world in various ways, the point is to change it.” The world is changing in Brazil.
The hyper-corrupt bureaucracy of the Workers’ Party, so outrageously obvious during the World Cup in 2014, is coming face to face with a resurgent civil society. What is being foreshadowed, it seems, is a peaceful, non-violent revolution. Marxist revolutions are explosions of violence. But not the anti-totalitarian ones. It is now clear that millions of Brazilians feel the need to expose twaddle, nonsense, irresponsible foolishness, cynical demagoguery masquerading as a springboard for collective bliss.
Dilma and her crowd may not be Marxists in a traditional, strictly ideological sense, they accept and even profit from some liberal economic principles, but, when all is said and done, they still share, subliminally, the Marxist anti-capitalist and “anti-imperialist” revolutionary delusions, expectations, and fever. Therefore, their enduring affinities with the continental far left, including Hugo Chavez’s heir, Nicolas Maduro in Venezuela.
The protests are directed against the acute institutional, social, economic, and moral crisis that has dramatically worsened over these past few months. I do not know if a revolution to the full extent of the term has begun crystallizing as of right now, but this is certainly a revolutionary situation as defined by Lenin himself: “Those at the top cannot govern by using the old methods, those at the bottom, the great masses, beyond social divisions, no longer accept them.”
A fool’s tongue is long enough to cut his own throat: in this case, a Marxist one turned upside down! The great historian Robert Conquest’s dream is gradually coming to life–a united front against radical fallacies. It is high time these chimeras were exposed for what they really are: myths, legends, delusions, fantasies of salvation, ideological fairytales with pernicious effects.
This essay was translated from Romanian into English by Monica Got.
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